The SuperCollider Book. edited. by. Scott. Wilson, David Cottle, and Nick Collins. The MIT Press. Cambridge, Massachusetts London, England. Contents. The SuperCollider Book, MIT Press, , p. 5. Several things in the present tutorial were borrowed, adapted from, or inspired by David Cottle’s excellent “. by Dave Phillips. on August 29, An image of SuperCollider book. by SuperCollider gurus Scott Wilson, David Cottle, and Nick Collins, and published by.
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The SuperCollider book
Computer composition Music View all subjects. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. The first half covers the nature of sound, formats, mic types and placement, recording techniques, DAWs Logic ProDSP reverbs, delays, compression, EQmix styles, and auxiliary sends for effects and monitors.
This site uses Akismet to reduce spam. Please enter recipient e-mail address es. The SuperCollider examples have been tested and conform with SuperCollider 3. Please select Ok if you would like to proceed with this request anyway. Remember me on this computer. English View all editions and formats. College level music tech. However, formatting rules can vary widely between applications and fields of interest or study.
Citations are based on reference standards.
David Cottle’s Books and Publications Spotlight
Create lists, bibliographies and reviews: Click here to find out. The E-mail message field is required. The SC examples have been tested and conform with SC 3. The scholarship is sound, as the chapter authors are leaders in the field and deeply knowledgeable on how SuperCollider may be used, taught, and learned.
Don’t have an account? Click on Read More to find out more and change your cookie settings. Allow this favorite library to be seen by others Keep this favorite library private. College level music tech. This item has not been rated yet. Publisher Synopsis “This book documents the SuperCollider language to an extent never before achieved and shows how it can be used to realize a wide variety of musical and technical applications.
Your request to send this item has been completed. Since this is the Book of SuperCollider and daivd a simple book, we can find also an entire section dedicated to those interested to software development or otherwise to those composers interested to and advanced work for the customization of the original tool.
The goal is getting actual sounds as quickly as possible and enough SuperCollider and Logic Pro languages to prevent glassy eyes when reading the help files that come with SuperCollider and Logic Pro. Cancel Forgot your password? Leave a comment Cancel reply Your email address will not be published. The name field is required. Home About Help Search. SuperCollider Computer file Software synthesizers. You may have already requested this item.
AA. VV. – The SuperCollider Book
The SuperCollider book Author: Write a review Rate this item: The second half continues with electro-acoustic composition using SuperCollider and Logic Pro; concrete styles, supercolllder control, wave generators, control sources, GUIs, filtering synthesis, frequency and phase modulation synthesis, physical models and additive synthesis. Electronic books Additional Physical Format: Komposition Software Programmierung Musik Programm.
Finally, computer music methods are discussed, including random number theory, generative composition, computer assisted algorithmic composition, tone and set theory, probability, microtonality, and working with data files.
The E-mail Address es you entered is are not in a valid format. Similar Items Related Subjects: For this reason, the book is structured in a very defined sections that differ according to the degree of experience of the recipients or depending on what you want to do with SuperCollider.
Your list has reached the maximum number of items. Finding libraries that hold this item Advanced Search Find a Library. He has served on the faculty at the University of Illinois, BYU, and Waterford, developing new curricula, teaching theory, electro-acoustic music, and computer assisted composition. Please re-enter recipient e-mail address es. The sections Pratical Applications, and Projects and Perspectives moving towards the study of SuperCollider more specific and complex, presenting specific situations or projects that pass over the normal use of the software.
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