Ein Veilchen auf der Wiese stand, Gebückt in sich und unbekannt; Es war ein by Wolfgang Amadeus Mozart ( – ), “Das Veilchen”, K. (). Wolfgang Amadeus Mozart. Das Veilchen, song for voice & piano, K. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. Wolfgang Amadeus Mozart: Das Veilchen – Choral collection Mozart / Haydn, vol. IV. Secular choral music for mixed voices. Mozart: 30 Lieder Shop.

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The dying flower is described by a chromatically falling line, before the final modulation back to G major changes the pain into jubilation: He sank and died, but happily: The piece starts with a 6-bar introduction of the melody of the first line by the piano.

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Das Veilchen, song for voice & piano, K. 476

German and French Songs. The material directly above is protected by copyright and appears here by special vwilchen. Retrieved from ” https: Es sank und starb und freut’ sich noch: Goethe und die Musik.

Music for the Festive Season.

Go to the text. This page was last edited on 21 Augustat Liede de Dws et Schubert. An die ferne Geliebte, Op.


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Das Veilchen, K.476 (Mozart, Wolfgang Amadeus)

This song is Mozart’s only setting to a text by Goethe. Text added to the website: Lieder aus drei Generationen. Then Mozart adds two phrases of his own as a coda; in recitative, in free time and using only two notes: Romantic Evening Sex All Themes. Subtle changes of inflection, modality, and vocal contour bring out veeilchen tragic irony of Goethe’s ostensibly simple poem and create a psychological mini-drama, foreshadowing the direction lieder composition would take under the influence of a new generation of poets.


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The remarkable confluence of music and poetry that appeared in the works of Franz SchubertRobert Schumannand Hugo Wolf made the diminutive lied a vessel for Romantic outpouring and a unique distillation of the Nineteenth Century spirit. The first stanza takes up the next 15 bars. Gentle Reminder This website began in as a personal project, and I have been working on it full-time without a salary since Copyright infringement is a criminal offense under international law.

There is a modulation to the relative major B-flat major in the latter part of that verse when the violet expresses hope of being loved back, but ending in a falling phrygian lament. More important than their number, however after all, Henri Duparc achieved fame on the merit of a mere 16 songsis the fact that Mozart’s songs were composed before the great flowering of Romantic poetry and ideology that would bring Germanic song to its pinnacle in the Nineteenth Century.

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Mozart – Das Veilchen

There came along a shepherdess with youthful step and happiness, who sang, who sang along the way this song. Hommage a Teresa Stich-Randall.

Mozart made a telling addition by adding his last line. Es sank und starb, und freut’ sich noch: Mozart Masterpieces [Box Set]. The narration of the third verse is a recitativo accompagnato in E-flat major culminating in the trampling of the violet which is emphasised by a following general pause. Laue [ sung text not yet checked against a primary source ] by Wilhelm Rosenberg b.

Das Veilchen – Wikipedia

A Recital of Mahler, Monteverdi, Brahms and others. It not clear where exactly Mozart encountered the poem, but is likely through one of its settings by other composers of the time [ citation needed ].

Recordings from the Archives.